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Winner Take Nothing
Ernest Hemingway
publisher: Querido, Amsterdam, 1933

refered to by:
Double Play: The Story of an Amazing World Record
Frank Martinus Arion

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Winner Take Nothing, Ernest Hemingway's first book of fiction after the publication of A Farewell to Arms in 1929, contained fourteen stories of varying length. Some of them had appeared in magazines, but the majority had not been published before.
'A Clean, Well-Lighted Place' is about an old Spanish
Beggar. 'Homage to Switzerland' concerns various conversations at a Swiss railway-station restaurant. 'The Gambler, the Nun, and the Radio' is laid in the accident ward of a hospital in Western United States, and so on.
Ernest Hemingway made his literary start as a short-story writer. He always excelled in that medium. This volume reveals him at his best.



The First Forty-Nine Stories
This anthology includes two stories about East Africa: 'The Snows of Kilimanjaro and 'The Short Happy Life of Francis Macomber'.
In Our Time
Fifteen vignettes concerning the conflicts, situations, problems, and personalities characteristic of contemporary society.
Men Without Women
Stories of macho-men with a sensitive heart.
Winner Take Nothing
Fourteen stories.
A Farewell to Arms
This is the story of Lieutenant Henry, an American, and Catherine Barkley, a British nurse. The two meet in Italy, and almost immediately Hemingway sets up the central tension of the novel: the tenuous nature of love in a time of war.
For Whom the Bell Tolls
High in the pine forests of the Spanish Sierra, a guerrilla band prepares to blow up a vital bridge. Robert Jordan, a young American volunteer, has been sent to handle the dynamiting. There, in the mountains, he finds the dangers and the intense comradeship of war. And there he discovers Maria, a young woman who has escaped from Franco's rebels...
The Old Man and the Sea
Hemingway's Nobel Prize-winning story of a Cuban fisherman's struggle with a great fish - a struggle between man and the elements, the hunter and the hunted.
The Sun Also Rises
In the socially dislocated period after World War I, an American expatriate and a British peeress conduct a hopeless love affair.
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The Ledge
editor-in-chief: Stacey Knecht,
Thanks to: De digitale pioniers and
Het Prins Bernhard Cultuurfonds
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Copyright: Pieter Steinz, Stacey Knecht
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