| the ledge files
the ledge - nl - uk
publisher: Querido, Amsterdam, 2005
|The narrator of John Banville's eerily slow new novel finds himself at a seaside backwater after the death of his wife. The long, languorous and melancholy days drift between memories - of a life together and of a sickness, mixed with those of a formative summer spent in this town many years ago. The sea and its environs form both backdrop and stylistic metaphor. Every scene comes in a wave, the memories washing up to us as formlessly as they do to Max himself, teasing him, and us, with their semblances and resemblances to things that might, and may not, have happened as he remembers them. They draw us in,|| and yet there is something ominous about their pull and about the sea to which they pull. There is something exquisite about the slowness of this writing. Nothing much happens of course, just a wash of prose, which is exactly what Banville is good at. Given that this book is something of a meditation on life, its passing, and the memories that carry it, it seems right spending pages finding the right words to capture how life is, rather than what it is.
- Andrew Cornish, Readings
|BOOKS BY JOHN BANVILLE:|
Historical novel based on the life of Nicholas Koppernigk, better known as Copernicus, whose ideas and writings shattered the medieval view of the universe.
Johannes Kepler, born in 1571 in south Germany, was one of the world's greatest mathematicians and astronomers. The author of this book uses this history as a background to his novel, writing a work of historical fiction that is rooted in poverty, squalor and the tyrannical power of emperors.
|The Newton Letter: An Interlude|
A historian, about to complete a book on Isaac Newton, rents a cottage in Ireland. His intention is to put the finishing touches to his manuscript. However, as the summer wears on, he becomes obsessed by his writing.
The central character is caught in a dilemma of the Yeatsian man who must choose between life and work, action and thought, experience and creation.
|The Book of Evidence|
The first in a trilogy with Ghosts and Athena. Freddie Montgomery is a gentleman first and a murderer second. He committed two crimes – he stole a painting from a wealthy family friend and he killed a chambermaid who caught him in the act. Here he tells his story.
The second volume in the Freddie Montgomery trilogy. A group of strangers on a day-boat are washed up on an island – the secluded home of an eminent historian – and soon finds out that the grounding of their boat may not have been an accident after all.
The third volume in the Freddie Montgomery Trilogy, which began with The Book of Evidence and Ghosts. Morrow is at a loose end when, separately, two people beckon him upstairs in an empty Dublin house. One offers him work of a dubious kind, and the other offers him a kind of love.
Examines the lives of the Cambridge spies, and in particular Anthony Blunt. The story is told by Blunt, in the form of a journal which starts on the 'first day of the new life'. The author uses the 'secret life' as a way to explore the darker realms of the 20th century and its hidden minds.
Axel Vander, celebrated academic and man of culture, is spending his twilight years on the west coast of America, when, out of the blue, a letter arrives hinting at the secrets he has been hiding for fifty years.
|Prague Pictures: Portrait of a City|
From the series 'The Writer and the City'.
The Grace family appeared that long-ago summer as if from another world. Drawn to the Grace twins, Chloe and Myles, Max soon found himself entangled in their lives which were as seductive as they were unsettling. What ensued haunts him for the rest of his years and shapes everything that is to follow.
editor-in-chief: Stacey Knecht, firstname.lastname@example.org
Thanks to: De digitale pioniers and
Het Prins Bernhard Cultuurfonds
Design: Maurits de Bruijn
Copyright: Pieter Steinz, Stacey Knecht
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